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Practice of Looking #02
The intelligence of shade Some places ask to be looked at more slowly. Under the canopy of trees, the eye needs time to adjust. Forms emerge gradually from darkness, textures become visible, and what first appears as a mass of green begins to unfold into countless relationships of light, shadow, colour, and structure. Shade is not the absence of light. It is a different condition for seeing. It softens the obvious and makes subtlety visible. Many of my paintings begin in plac
augustacuc11
Jul 81 min read


Practice of Looking #01
Before the storm There are moments when a landscape seems to pause just before it changes. The light becomes heavier, colors deepen, and even the smallest flowers begin to feel significant. Looking closely is not simply an act of observation. It is a way of allowing the world to reveal relationships that usually remain unnoticed—between light and shadow, stillness and movement, fragility and permanence. I collect these moments not as references to copy, but as experiences of
augustacuc11
Jul 81 min read


Why practice of looking?
For me, painting is not simply the act of making images. It is a practice of looking. A practice that cultivates attention, imagination, and critical thinking. Through sustained observation, painting teaches us to notice relationships, perceive complexity, and remain open to what cannot be understood at first glance. Over time, this way of working has become more than a method of making paintings. It has become a way of building a deeper relationship with the world. Every pai
augustacuc11
Jul 42 min read
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